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The quest to rescue Gaura triggers several chase sequences that would be more exciting if they were half as long. By this point, there’s been an avalanche, a love affair, childhood montages, and an international trip, and the movie is barely an hour into its two-and-a-half hour runtime. Shivaay liberates a little boy and exposes the criminals, who kidnap Gaura in retaliation. Father and daughter travel to Bulgaria and immediately stumble upon a child trafficking ring. Gaura finds evidence that her mother is not dead - as she’d been told - and she demands to meet Olga. The miscasting is particularly distracting when Gaura throws violent tantrums that would be considered immature enough for an actual eight-year-old, much less a tween. Gaura is also supposed to be eight years old, yet Eames was twelve when Shivaay was filmed and looks very much her age. In order to work around Eames’ British accent and presumable inability to speak Hindi, Gaura is mute.
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Gaura grows up, inheriting her mother’s fair complexion and her father’s love for mountain climbing.Ĭasting Eames is a mistake for a couple of reasons. She caves to his emotional blackmail and births Gaura, but returns to Bulgaria without so much as looking at her daughter. “Please give me this child…and you go,” he tells her. When Olga accidentally gets pregnant, Shivaay ignores her pleas not to be forced to carry a child she doesn’t want and can’t afford to care for. Olga convalesces at Shivaay’s house, reminding him that she has to return to Bulgaria soon because her mother and sister depend on her financially. Ain’t no way she gonna be rollin’ about and climbing on him with a broken leg! The problem is that Olga has a broken leg. Olga is frightened as the tent falls to a ledge below, but the song continues, as do Shivaay’s romantic overtures, assured as he is of their divine protection. Shivaay and Olga make love in a precariously positioned tent as they await rescue after the avalanche. The sequence that accompanies the song “Darkhaast” had the potential to be an interesting take on traditional romantic numbers. He saves her from an avalanche, establishing a precedent for Shivaay to rescue dozens of other women in distress before the closing credits roll. They fall in love on one of Shivaay’s Himalayan treks, for which Olga inexplicably packs short-shorts and tank tops. His daughter, Gaura (British child actor Abigail Eames), is the product of an affair between Shivaay and Olga (Polish actress Erika Kaar), a Bulgarian woman studying in India.
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He defines his own morality, which conveniently allows him to destroy much of Bulgaria in his quest to free his daughter from child traffickers.
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Unlike Devgn’s iconic character - police officer Bajirao Singham, from the Singham films - Shivaay isn’t beholden to the rules of any professional organization.
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The character’s slightly superhuman qualities are displayed in an early song sequence, with Shivaay speedily descending a mountain while lyrics proclaim that “Shiva is in all of us.” Godlike, Shivaay tells some soldiers he rescued, “I will be here whenever I am needed.” Shivaay‘s titular hero is another rendition of the human instrument of divine justice Devgn regularly plays. As a result, Devgn’s second directorial venture is dense and slow, with an undercurrent of hostility toward women. Such a concentration of power meant there was no one to tell him when he was headed in the wrong direction. As producer, director, and star of Shivaay, Ajay Devgn had the freedom to create exactly the film he wanted.